Books · Pistol

“Mark Kriegel has written the sports-bio equivalent of Maravich on a fast break: dazzling and smart, and, even at 381 pages, over before you knew it.”
— The Wall Street Journal

A basketball prodigy created by his father, “Pistol” changed the game — but the price was immense.

Free Press · 2007 · 381 pages · New York Times bestseller

A renowned biographer—People magazine called him “a master”—Kriegel renders his subject with a style that is, by turns, heartbreaking, lyrical, and electric.

The narrative begins in 1929, the year a missionary gave Pete’s father a basketball. Press Maravich had been a neglected child trapped in a hellish industrial town, but the game enabled him to blossom. It also caused him to confuse basketball with salvation. The intensity of Press’s obsession initiates a journey across three generations of Maraviches. Pistol Pete, a ballplayer unlike any other, was a product of his father’s vanity and vision. But that dream continues to exact a price on Pete’s own sons. Now in their twenties—and fatherless for most of their lives—they have waged their own struggles with the game and its ghosts.

Pistol is an unforgettable biography. By telling one family’s history, Kriegel has traced the history of the game and a large slice of the American narrative.

Free Press · 2007 · 381 pages

Pistol is more than the biography of a ballplayer. It’s the stuff of classic novels: the story of a boy transformed by his father’s dream—and the cost of that dream. Even as Pete Maravich became Pistol Pete—a basketball icon for baby boomers—all the Maraviches paid a price. Now acclaimed author Mark Kriegel has brilliantly captured the saga of an American family: its rise, its apparent ruin, and, finally, its redemption.

Almost four decades have passed since Maravich entered the national consciousness as basketball’s boy wizard. No one had ever played the game like the kid with the floppy socks and shaggy hair. And all these years later, no one else ever has. The idea of Pistol Pete continues to resonate with young people today just as powerfully as it did with their fathers.

In averaging 44.2 points a game at Louisiana State University, he established records that will never be broken. But even more enduring than the numbers was the sense of ecstasy and artistry with which he played. With the ball in his hands, Maravich had a singular power to inspire awe, inflict embarrassment, or even tell a joke.

But he wasn’t merely a mesmerizing showman. He was basketball’s answer to Elvis, a white Southerner who sold Middle America on a black man’s game. Like Elvis, he paid a terrible price, becoming a prisoner of his own fame.

Set largely in the South, Kriegel’s Pistol, a tale of obsession and basketball, fathers and sons, merges several archetypal characters. Maravich was a child prodigy, a prodigal son, his father’s ransom in a Faustian bargain, and a Great White Hope. But he was also a creature of contradictions: always the outsider but a virtuoso in a team sport, an exuberant showman who wouldn’t look you in the eye, a vegetarian boozer, an athlete who lived like a rock star, a suicidal genius saved by Jesus Christ.

About the book

Pistol is more than the biography of a ballplayer. It’s the stuff of classic novels: the story of a boy transformed by his father’s dream—and the cost of that dream. Even as Pete Maravich became Pistol Pete—a basketball icon for baby boomers—all the Maraviches paid a price. Now acclaimed author Mark Kriegel has brilliantly captured the saga of an American family: its rise, its apparent ruin, and, finally, its redemption.

Almost four decades have passed since Maravich entered the national consciousness as basketball’s boy wizard. No one had ever played the game like the kid with the floppy socks and shaggy hair. And all these years later, no one else ever has. The idea of Pistol Pete continues to resonate with young people today just as powerfully as it did with their fathers.

In averaging 44.2 points a game at Louisiana State University, he established records that will never be broken. But even more enduring than the numbers was the sense of ecstasy and artistry with which he played. With the ball in his hands, Maravich had a singular power to inspire awe, inflict embarrassment, or even tell a joke.

But he wasn’t merely a mesmerizing showman. He was basketball’s answer to Elvis, a white Southerner who sold Middle America on a black man’s game. Like Elvis, he paid a terrible price, becoming a prisoner of his own fame.

Set largely in the South, Kriegel’s Pistol, a tale of obsession and basketball, fathers and sons, merges several archetypal characters. Maravich was a child prodigy, a prodigal son, his father’s ransom in a Faustian bargain, and a Great White Hope. But he was also a creature of contradictions: always the outsider but a virtuoso in a team sport, an exuberant showman who wouldn’t look you in the eye, a vegetarian boozer, an athlete who lived like a rock star, a suicidal genius saved by Jesus Christ.

A renowned biographer—People magazine called him “a master”—Kriegel renders his subject with a style that is, by turns, heartbreaking, lyrical, and electric.

The narrative begins in 1929, the year a missionary gave Pete’s father a basketball. Press Maravich had been a neglected child trapped in a hellish industrial town, but the game enabled him to blossom. It also caused him to confuse basketball with salvation. The intensity of Press’s obsession initiates a journey across three generations of Maraviches. Pistol Pete, a ballplayer unlike any other, was a product of his father’s vanity and vision. But that dream continues to exact a price on Pete’s own sons. Now in their twenties—and fatherless for most of their lives—they have waged their own struggles with the game and its ghosts.

Pistol is an unforgettable biography. By telling one family’s history, Kriegel has traced the history of the game and a large slice of the American narrative.

Free Press · 2007 · 381 pages

Pistol is more than the biography of a ballplayer. It’s the stuff of classic novels: the story of a boy transformed by his father’s dream—and the cost of that dream. Even as Pete Maravich became Pistol Pete—a basketball icon for baby boomers—all the Maraviches paid a price. Now acclaimed author Mark Kriegel has brilliantly captured the saga of an American family: its rise, its apparent ruin, and, finally, its redemption.

Almost four decades have passed since Maravich entered the national consciousness as basketball’s boy wizard. No one had ever played the game like the kid with the floppy socks and shaggy hair. And all these years later, no one else ever has. The idea of Pistol Pete continues to resonate with young people today just as powerfully as it did with their fathers.

In averaging 44.2 points a game at Louisiana State University, he established records that will never be broken. But even more enduring than the numbers was the sense of ecstasy and artistry with which he played. With the ball in his hands, Maravich had a singular power to inspire awe, inflict embarrassment, or even tell a joke.

But he wasn’t merely a mesmerizing showman. He was basketball’s answer to Elvis, a white Southerner who sold Middle America on a black man’s game. Like Elvis, he paid a terrible price, becoming a prisoner of his own fame.

Set largely in the South, Kriegel’s Pistol, a tale of obsession and basketball, fathers and sons, merges several archetypal characters. Maravich was a child prodigy, a prodigal son, his father’s ransom in a Faustian bargain, and a Great White Hope. But he was also a creature of contradictions: always the outsider but a virtuoso in a team sport, an exuberant showman who wouldn’t look you in the eye, a vegetarian boozer, an athlete who lived like a rock star, a suicidal genius saved by Jesus Christ.

A renowned biographer—People magazine called him “a master”—Kriegel renders his subject with a style that is, by turns, heartbreaking, lyrical, and electric.

The narrative begins in 1929, the year a missionary gave Pete’s father a basketball. Press Maravich had been a neglected child trapped in a hellish industrial town, but the game enabled him to blossom. It also caused him to confuse basketball with salvation. The intensity of Press’s obsession initiates a journey across three generations of Maraviches. Pistol Pete, a ballplayer unlike any other, was a product of his father’s vanity and vision. But that dream continues to exact a price on Pete’s own sons. Now in their twenties—and fatherless for most of their lives—they have waged their own struggles with the game and its ghosts.

Pistol is an unforgettable biography. By telling one family’s history, Kriegel has traced the history of the game and a large slice of the American narrative.

Free Press · 2007 · 381 pages
About the book

Pistol is more than the biography of a ballplayer. It’s the stuff of classic novels: the story of a boy transformed by his father’s dream—and the cost of that dream. Even as Pete Maravich became Pistol Pete—a basketball icon for baby boomers—all the Maraviches paid a price. Now acclaimed author Mark Kriegel has brilliantly captured the saga of an American family: its rise, its apparent ruin, and, finally, its redemption.

Almost four decades have passed since Maravich entered the national consciousness as basketball’s boy wizard. No one had ever played the game like the kid with the floppy socks and shaggy hair. And all these years later, no one else ever has. The idea of Pistol Pete continues to resonate with young people today just as powerfully as it did with their fathers.

In averaging 44.2 points a game at Louisiana State University, he established records that will never be broken. But even more enduring than the numbers was the sense of ecstasy and artistry with which he played. With the ball in his hands, Maravich had a singular power to inspire awe, inflict embarrassment, or even tell a joke.

But he wasn’t merely a mesmerizing showman. He was basketball’s answer to Elvis, a white Southerner who sold Middle America on a black man’s game. Like Elvis, he paid a terrible price, becoming a prisoner of his own fame.

Set largely in the South, Kriegel’s Pistol, a tale of obsession and basketball, fathers and sons, merges several archetypal characters. Maravich was a child prodigy, a prodigal son, his father’s ransom in a Faustian bargain, and a Great White Hope. But he was also a creature of contradictions: always the outsider but a virtuoso in a team sport, an exuberant showman who wouldn’t look you in the eye, a vegetarian boozer, an athlete who lived like a rock star, a suicidal genius saved by Jesus Christ.

A renowned biographer—People magazine called him “a master”—Kriegel renders his subject with a style that is, by turns, heartbreaking, lyrical, and electric.

The narrative begins in 1929, the year a missionary gave Pete’s father a basketball. Press Maravich had been a neglected child trapped in a hellish industrial town, but the game enabled him to blossom. It also caused him to confuse basketball with salvation. The intensity of Press’s obsession initiates a journey across three generations of Maraviches. Pistol Pete, a ballplayer unlike any other, was a product of his father’s vanity and vision. But that dream continues to exact a price on Pete’s own sons. Now in their twenties—and fatherless for most of their lives—they have waged their own struggles with the game and its ghosts.

Pistol is an unforgettable biography. By telling one family’s history, Kriegel has traced the history of the game and a large slice of the American narrative.

Listen · NPR · March 2007

‘Pistol’ Draws a Bead on Pete Maravich

Mark Kriegel with Scott Simon
Listen on NPR →
The verdict
“Pistol is not just a biography of a transcendent, doomed athlete; it is a mesmerizing tale of a striving, grasping American family as dramatic as myth, of a father and son as intertwined as Daedalus and Icarus. Kriegel has written the rarest of sports books: a fast-paced, through-the-night page-turner.”
— Rick Telander, author of Heaven Is a Playground
“This is the best sports book I’ve read in years.”
— Terry Pluto, Akron Beacon Journal
“Pistol is a classic American tale wonderfully told.”
— David Maraniss, author of Clemente
“What a book!”
— Pat Conroy, author of The Prince of Tides
Reviews
The New York Times “A wonderfully crafted biography… Kriegel captures both Maravich’s on-court brilliance and complicated off-court life.”
Chicago TribuneDan McGrath · April 2007 “It’s a compelling read, with the careful character development and page-turning urgency of a good novel…”

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